Laura dreams the dream of living like a craft-star pop diva. Striving to become an artisan whose art is the "day job." Knowing that in an alternate dimension this is the case, she does the behind the scenes work in this reality to create the cool items, that score her diva status over there, in that alternative place.
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Wednesday, July 20, 2011
Master's Registry
I was explaining to my children what I'm considering doing. I was telling them about the patina sampler, and thats why I was making plain bronze tags. Well I now have 2 helpers. They are all about the science experimentation.
We began hypothesizing what if we used xyz chemicals or food products.
I explained that i don't think anything that is a cleaner or acidic will work, but in the name of science and experimentation we will go for it.
Tag one: FINALLY got my ammonia jar set up. I have a bronze tag that has been fired tumble burnished, then polished with wendol. I then re-fired the tag, so it has a matte finish. The top half of the tag has been hand burnished and polished. I do not think the initial burnishing and polishing will have any impact on the ammonia results, just want to provide and accurate history of the tag.
I was contemplating if I should do the glass panels or skip them, then I realized, I've already done them--sort of. When I first got my kiln, I made several pages of glass tests to see what glass bits that were available at the local craft shops at the time would do what. Now that dicroic supplies are available at Hobby Lobby I might just do that as well.
Also time to put the funds aside to pay for this. I've got $5 in a box as of today.
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